chamber

Portrait in Geologic time (2024)

  • 2 Violins

    2 Violas

    2 Violoncelli

    Double Bass

    Conductor

    7 Newton’s Cradles

  • ca. 17’

  • Commissioned by the Moab Music Festival

    Premiered August 31, 2024

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Two Wolves
(2024)

  • violoncello scordatura

    prostrate double bass with medical accessories

    optional amplification and live video feed

  • ca. 11’

  • Commissioned by Mafalda Santos and Chelsea Strayer of On Fourth and Fifth duo

    Premiere TBD 2025

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Echo Chamber
(2024)

  • Flute 1 / Piccolo / Alto Flute

    Flute 2 / Piccolo / Bass Flute

    E-flat Clarinet / Bass Clarinet

    Soprano Saxophone

    Baritone Saxophone

    Horn

    Trumpet

    Trombone 1 (with cup mute)

    Trombone 2 (with cup mute)

    Tuba

    Electric Guitar

    Electric Bass

    Piano

    Percussion as follows:

    Tubular Bell 1 & 2, tuned to C# and C (associated with Flutes 1 & 2)

    Glockenspiel 1 & 2, tuned to E and D (associated with Clarinets & Soprano Saxophone)

    Tam-Tam (associated with Baritone Saxophone & Electric Bass)

    Bongo 1 & 2, tuned to any pitches (associated with Horn & Trumpet)

    Timpani 1 & 2, tuned to Bb and A (associated with Trombones 1 & 2)

    Wood Blocks 1 & 2, tuned to any pitches (associated with Electric Guitar & Piano, & Tuba)

  • ca. 3’30”

  • Commissioned by De Orkest Ereprijs for the Young Composers Conference 2025

    Premiere February 22, 2025

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ritual in transfigured time ii (2024)

  • flute/piccolo
    clarinet in Bb/bass clarinet in Bb
    percussion:
    string quartet with practice mutes
    conductor
    film projection of Maya Deren’s 1946 “Ritual in Transfigured Time” & click track or monitor

  • 14’28”

  • Premiered at the Tanglewood Music Center August 2024

    Performed at the Coolidge Corner Theater August 2024

    Performed at the Yale School of Music November 2024

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Dead reckoning
(2023)

  • violin, viola, cello, oboe, percussion: vibraphone, tam-tam, cymbals (S, M, L), bass drum, narrator (amplified)

  • 10’

  • written for the Baltic Sea Festival Science Lab with Sriharsha Vishnu Bhat, directed by Elisabet Ljungar

    Premiered in Stockholm in August 2023

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come cut me open
(2023)

  • clarinet in B-flat, violin, ‘cello, piano, pre-recorded electronics with live mixing

  • 12’

  • Commissioned by Copland House CULTIVATE Fellowship

    Premiered June 2023 in New York City

    Recorded April 2024 at the Curtis Institute in Philadelphia

    Performed July 2024 at the Tanglewood Music Center

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corps
(2021)
(revised 2022)

  • oboe, 2 clarinets in B-flat, bass clarinet in B-flat, trumpet in C, piano, percussion (crotales (with bow), 1 medium suspended cymbals, 1 low tamtam, snare drum, rototoms 6", 8", 1 0", 1 pair of bongos), 2 violins, viola, ‘cello, double bass, conductor

  • 12’

  • Commissioned and premiered at the Pierre Boulez Salle in Paris by Ensemble Intercontemporain and Simon Proust in March 2022.

    Performed at the Curtis Institute of Music in January 2024

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greed is good and winning is everything (2021)

  • baritone, trumpet, trombone, bass clarinet with found objects and silent film

  • ca. 22′

  • commissioned by loadbang

    Premiered by loadbang at Opera America in New York City in October 2021

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Cognitive dissonance
(2020)

or, the inevitability of downfall does not necessarily negate its shock

  • any number of performers

  • ca. 3′

  • commissioned for Musical Mentor’s Collaborative’s Requiem-20

    Performed February 2021 by Miguel Harth-Bedoya and the University of Omaha Symphony Orchestra

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Superspreader
(2020)

  • two pianos, toy piano, accordion (two players)

  • ca. 1′

  • commissioned by HOCKET

    Premiered online in 2020 and recorded for #What2020SoundsLike (released in 2022)

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ineluctable modality of the visible (2020)

  • flute, two oboes, clarinet, horn, violin, double bass, speaker, conductor

  • ca. 12′

  • commissioned by the Sarasota Music Festival

    Premiere in June 2020 cancelled due to Covid-19

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The negation of art
(2020)

  • violin and prepared piano with found objects and mutes

  • ca. 11’30”

  • Premiered online in February 2021 by the composer

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Lynchiana
(2025)

  • Flute, doubling Bass Flute

    Oboe

    Clarinet in Bb, doubling Bass Clarinet in Bb

    Bassoon

    Percussion:

    Traditional: Low Tom-Tom, Thundersheet, 2 Bongos, Crotales, Marimba (range = C#3 to Ab5)

    Foley: Phonograph with LP, Stilletto Heels, Metal Surface, Megaphone, Lighter, Zipper, Electric Kettle, White

    Noise App, Burner Guitar and Mallets

    Piano

    2 Violins

    Viola

    Violoncello

    Double Bass

    Conductor

  • ca. 11’

  • Written for the Lucerne Composers Seminar

    Premiered in the KKL, Lucerne Festival, Lucerne, Switzerland in August 2025.

    A new version with altered percussion was performed November 2025 in Tokyo, Japan, with KAJIMOTO presenting.

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Bruises 
(disambiguation)
(2025)

  • prepared piano with two performers, keyboard and interior

  • ca. 12’

  • Premiered by Forrest Eimold and Maya Miro Johnson at Yale University in October 2025.

    Performed by Forrest Eimold and Maya Miro Johnson at Roulette, Brooklyn in October 2025.

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Crepitus & Cavitations
(2026)

  • String Quartet with 4 auxiliary tuning forks (G, D, and 2 A)

  • ca. 12”

  • Premiered by Jiwon Choi, Joey Lau, Aditi Prakash, HyunJi Kim, and Maya Miro Johnson

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