Vocal-Theater
(sic)
(2025)
-
solo movement-performer with live feedback processing system
-
ca. 10’
-
Performed at the Yale School of Music in April 2025
strange father!
(2023)
-
for SATB choir a cappella
-
ca. 8’
-
commissioned by Xavier University and the Cincinnati Symphony in partnership with Luna Lab
Premiered in Cincinnati in March 2023
You may resume breathing (2022)
-
mezzo-soprano, electronics, modular synthesizer, oboe, bass clarinet, double bass, percussions
-
ca. 12’
-
a scene from Patience, written for Christina Herresthal
Premiered at the Curtis Institute of Music in December 2022
electronic dance music
(2022)
for John Dowell’s A Public Intimate Space
-
pre-recorded sound installation
-
ca. 75’
-
commissioned by the Barnes Foundation and the Curtis Institute of Music for John E. Dowell and Zane Booker’s “A Public Intimate Space”
Premiered December 2022
zugswang b)
(2021)
-
electroacoustic metainstrument & 2 performers
• 1 laptop with PowerPoint prepared with slides
• 1 bluetooth speaker
• 1 audio file
• 1 microphone
• 1 tripod
• 1 iOS device with video camera
• 2 Clevertouch screens or equivalent projection with bluetooth livestreaming capacity
-
ca. 8’
-
Premiered at the Curtis Institute of Music in December 2021
zugswang a)
(2021)
-
electroacoustic metainstrument & 3 performers
Onstage:
• 2 Clevertouch screens
• 2 iPhone/iOS devices with Switcher Studio app installed
• 4 FM/AM dial radios with antennae
• 1 grand piano designed for extended techniques in the interior
• 3 laptop computers or iPads with Zoom installed and front-facing webcams
• 1 mp3 prerecorded audio file downloaded to 1 device
• 1 portable bluetooth speaker connected to device with prerecorded audio file
• 1 letter
• 2 felt mutes
• 1 small, flexible, handheld tripod
Offstage:
• 2 computers with QLab + Apple USB-C/Thunderbolt/Mini Displayport to HDMI adapter + 2 HDMI cables
• 1 iOS device with Switcher Studio software + Apple Lightening to HDMI adapter + 1 HDMI cable
• 36 prerecorded video files
• 1 Blackmagic Design ATEM Production Studio 4K (with 4 HDMI inputs and 2 SDI outputs—Program and Auxiliary) + 2 SDI cables + two Blackmagic Design SDI to HDMI converters + 2 HDMI cables
• 1 computer with ATEM Software Control + 1 ethernet cable + 1 USB Type B to Type A cable
-
ca. 30’
-
Premiered in December 2021 at the Curtis Institute of Music
when icarus fell, was there a splash? (2019)
-
soprano, flute, oboe, horn, trumpet, violin, cello, piano, electronics, conductor
-
ca. 22′
-
Commissioned by Zeitgeist
Premiered at the Curtis Institute in December 2019
Performed at National Sawdust in Brooklyn for Beth Morrison Project’s Next Gen Competition Semi-Finals in May 2021
Play in one act (2025)
co-composed with
Hernandez, Pirasteh, and Ferdowsi)
-
for four string instrument performers
-
ca. 13’
-
Performed at the Yale School of Music in February 2025
-
mezzo-soprano, dancer with live mic feedback instrument, percussion (vibraphone, bass drum, kick drum)
-
ca. 10’
-
Performed at the Yale School of Music in April 2025
Self-Portrait with White Coat (2025)
-
Ensemble 1: mezzo-soprano (Doctor One), oboe, double bass
Ensemble 2: baritone (Doctor 2), bass clarinet, percussion
Ensemble 3: electronics (The Patient), keyboard polyphonic synthesizer (The Black Hole)
conductor
-
ca. 13’
-
Commissioned by and premiered at the Tanglewood Music Festival on August 10th, 2025
Angelus Novus
(2025)
-
solo movement-performer with live feedback processing system
-
ca. 10’
-
Performed at the Yale School of Music in April 2025